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CLICK HERE FOR PART TWO OF OUR SIMON FEATURE
CLICK HERE FOR OUR 11 TO WATCH IN 2007 FEATURE
CLICK HERE FOR OUR COMPETITION
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THEZAPPING'S BRIGHTEST HOPE FOR 2007:
In each new era, there are always plenty of good pop groups and acts out there. That's part of the problem really, because if you are after songs to rub up close against your dreams or fire your sense of previously unimaginable possibilities, or bewitch you into not feeling alone, or tinker unpredictably with your insides, or spark unreasonable joy, or allow you to feel understood and misunderstood in whatever proportions you require for any given day or year or lifetime, good really isn't good enough. But there are very few acts that are magical.
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I often write about acts that I like. A lot. I think groups like Scissor Sisters and Bodies Without Organs tap into the new wave of pop without being cynical or ironic. The Killers and Magic Numbers bring pop elements into rock and provide us with some amazing and powerful tunes. Acts and singers such as Girls Aloud, Rachel Stevens and lately, Jamelia all have ridden the wave of making pop electro and thrashy and ultimately thrilling, while Paolo Nutini and the current influx of acoustic males have bought a gritty earthiness back to my ears. All these acts I love, some immensely, yet there is a list of a reserved few that make thezapping magical grade. Deborah Gibson and Kylie are givens. So are Robbie Williams, Take That and Will Young. And more recently Maroon 5 managed to win me over completely with an album that still gets played with alarming regularity to this day. And so, two paragraphs in, I have to say that from the first time I heard the show mix of Broken by Simon Curtis, I knew instinctively that he was going to be magic.
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A magical pop act is a very personal thing. For me, you just get this growing sense of wonder that this person absolutely gets what pop is and is making music that you have imagined in your head exists in a perfect world of pop. And it's not just about catchy tunes (though they are important), it is also about lyrics that touch you, provoke you and inspire you, it's about beats you can dance to and it's about that all consuming desire to listen to it all again once it has started. Simon has that in droves. I first reviewed his album back in October of this year and am reprinting an amended version of that article
(you can read here!) because two months on and many listens later, I had even more I wanted to say about it…
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THEZAPPING REVIEWS ALTER BOY:
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I'm not really sure how I first happened upon Simon Curtis, but I am certainly glad I did. Not only does he seem a thoroughly nice chap, but also his music has a certain edge and drive that you wouldn't expect from such an angelic faced individual. I really believe that his forthcoming album Alter Boy could provide the kick in the arse that pop music needs – certainly in England and hopefully in America.Mr. Curtis has managed to produce an album that is thematically cohesive, lyrically deft and utterly addictive – blending together a number of styles that produce a fresh, pop friendly, club motivated sound. Religion, war, betrayal, sex and friendship are themes that run through all the 18 songs on the album – but unlike recent bloated offerings from Janet Jackson and Christina Aguilera, the songs never outstay their welcome thanks to catchy choruses, political opinion and often deliciously malevolent lyrics…
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The album opens with Simon declaring that this is his work as he is now – it represents his journey through his youth and documents every heartache, every stab in the back and even the betrayal of his country's values through the war in Iraq on the politically charged Left Right Left. Careful listening to lyrics is a definite requirement of this album, but on this song in particular in order to get the most rewarding listening experience you possibly can. Candy Store is a thinly veiled metaphor for the joy of sex and if you have a slightly dirty mind like me, then it's practically pornographic pop heaven! I just love the line where he says since he found the candy store, he's stopped having to jerk ;) And Vicious may be the greatest break-up song ever, far outranking Cry Me A River. The issues of hurt and betrayal and deception are evident as Simon describes a seemingly ideal girl who ended up not as she seemed. The chant "vicious bitch" over the dark thumping bass is about as macabre and justifiably vindictive a pop song I've heard in recent years. Just painfully exquisite…In an album full of classics, there are a few definite stand out highlights. Bones is a prince-esque club thumper that defies your ability to keep you toes untapped as it insinuates it's way into your brain. Broken (including album version and show mix) is just simply one of the best pure pop songs of the year and if there is any justice in the world, will be leaping up charts fairly shortly. These two songs in particular definitely deserve to be singles. Religion is addressed in more detail in Religion Reduced, Alter Boy and Halo – three tracks that examine the preconceptions and judgements that society makes of individuals. Heavy, but delicious stuff. And perfectly relatable for me – growing up in a Mormon community as I did, when you have a thing for the same sex isn't the easiest thing in the world to deal with… And sparse ballad Purgatory is one of the most haunting things Simon has produced. It reminds me of those gorgeous ballads Erasure produced at the height of their career, in it's simplicity and it's beauty. Simon's voice really shines and the words perfectly fit a chapter of my novel I am writing, so I may have to ask Simon for it on the soundtrack ;)
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A strong point of this album is the clever way it currently (the final track listing on release may differ) all links together. Not quite a concept album, all the songs thematically flow into each other with an emphasis on clever (but not pretentious) lyrics, Simon's voice ranging from alto to falsetto and back without being jarring or grating, unconventionally dark lyrics that leave no feeling unexposed and no raw nerve untouched (something Abba did to amazing effect on songs like One Of Us and Winner Takes It All, etc.) and a modern, forward thinking pop sound that is textured and exciting – all the more impressive considering the few people who have worked on it. And yet songs work equally well for different mood isolated from the album and played on a mix cod with some of pops current stars (Sugababes, Girls Aloud, Phixx, Bodies Without Organs, etc)…a sure indicator that this album deserves to be huge…
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Overall an outstanding debut album from a talent that I recommend you all keep an eye on…
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LINK: Stream the album at Simon's official homepage (click on music!)
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THE ADDITIONAL REVIEWS:

Not long after I wrote the Alter Boy review, I came across 2 other songs of Simons that I hadn't heard before. One was called Flashback – a tune he wrote for Disney to mark their annual resort event of the same name. This is one of his most theatrical tunes – from the opening bars, it's almost impossible not to imagine him rising up on a smoke filled stage at the start of a concert while silhouetted dancers show off their choreographed moves. This is a song that is made to be performed on a huge scale, and was my first indication that Simon could write specifically as well as pouring out what was in his head and heart. The song provides enough Disney pomp and ceremony to work in a parade, yet retains Simon's trademark beats, lyrics and vocals as it details how you need to learn from the past to make your dreams happen. An incredibly catchy song, its proceeds also went to the The Leukaemia Society of America…
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The second song I heard post Alter Boy review was Put Your Make Up On. Simon wrote this as his entry for the Popjustice theme tune competition. The backing track was the same for each contestant (a typically edgy-pop Xenomania effort) and the task at hand was to write a pop tune that would fit the music. The song Simon came up with is one of his most hit-ready to date and one that I find incredibly hard to get out of my head. Indeed I was playing it rather loudly on my stereo on holiday earlier this year, when I heard a knock on the door. Assuming it was someone asking me to turn it down, it was 3 lads wanting to know how I got my hands on an unreleased Scissor Sisters song! Naturally, I explained and a conversation ensued as to how they wished the Scissor Sisters had retained the edginess of their first album and put more songs like Put Your Make Up On on Ta-Dah. What is often genius about so called "throwaway pop" is how multi-layered and meaningful it actually can be if you take the time to listen properly. As a song, yes, PYMO is incredibly catchy, upbeat and I have no doubt at some point will have some amazing remixes. Lyrically, it's a commentary on the looks and image obsessed society we live in and the lengths people will go to in order to get where they want to be. Which fits well into the world of pop, and so is actually quite a clever entry for a Popjustice theme tune. Which all would have been brill on it's own – only Simon takes it up a notch and ends the song on a crucial highlight: a refrain that plays over the main chorus as he sings an internal monologue "as a kid I got a lot of shit for/liking my music but what is it for?/You should listen to this because it gives more/Yeah, but it sounds lousy on the dance floor!" I nearly hugged my computer speakers when I heard that – I can't imagine readers of Popjustice not relating to those lyrics about how you can be mocked for liking music you can dance to – and how music like that is perceived unworthy and throwaway. Clever, clever stuff (and be sure to catch the reference to xenomania and the sugababes red dress in the second verse!) This may well end up as one of THE pop songs of 2007…

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THEZAPPING INTERVIEWS SIMON:
While obviously thezapping has been very supportive of Simon and his career, Simon in turn has reciprocated and been most supportive of thezapping website. In November, he kindly agreed to answer some questions I had for him, which are printed below. At the time a digital release was being planned for the album, though this changed later on. Keep reading and you'll see what I mean…
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1. Alter Boy seems to be a play on words - and the album a collection of thoughts on your journey through life. Was it difficult to put together a collection of songs that seem so personal?
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It truly wasn't as difficult as one might think. I set out from the beginning with the idea of creating an album that not only made people want to dance, but also made them want to sit down with the insert and pour over the lyrics as well. That's the kind of album I always hoped to hear from pop artists like Britney, who always had great albums, but never got too personal. I wanted people who heard my album to be really affected by it, to hear something they've never heard before in a song, and I believe that by investing your real, inner self, and damn near your soul into every song on the album is the only way to achieve that. And yes, Alter Boy is a play on words. The album touches on many religious themes, as I grew up in the Bible Belt, so it reflects that aspect of it, as well as the personal growth I speak of in the music. Not to mention it is a bit tongue-in-cheek, and that's how I like it! haha
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2. I love the song Broken and think it would be a great lead off single for the album. How would you visualise the video for it?
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Haha, that's awesome. My producer will be rather pleased to hear that, since that is the song he participated most with in writing for the album. Before we had that song, the album was turning out to be very dark, very angry, (we hadn't yet recorded Bones, Answer, or PYMO) and he insisted that we include at least one traditional, Swedish-style pop song that people didn't need to dissect with a dictionary! haha
So he created the track, wrote the chorus, I wrote the verses and changed the chorus to suit my liking, and despite all my bitching and moaning about how I wanted "every song to be intelligent!!!" it turned out to be one of the most liked songs on the album.
As far as a video for it goes, sheesh, I haven't even given it that much thought as my mind has been so focused on just getting the damned album released! lol
But I would have to say that it would most certainly include a hefty amount of choreography (cause the world needs that so bad right now, truly). I tend to be quite a snob when it comes to my tastes regarding cinema, and I would regard my videos as small films. Not necessary with plots and all that, but rather just ensure that each video evokes something, and isn't just mindless club bullshit.

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3. Your producer Jadion has a great fresh sound that you seem to work well with - how did you get together and how does your musical collaboration work?
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Wow, we've known each other for so long now, it is ridiculous. I met him for the first time when I was competing in the Britney Spears Samsung Superstar tour in Tulsa (where I'm from). It was a wannabe "Idol-like" contest where participants had to sing a Britney song, and the national winner would get to record a demo with her management, and appear in her next video,etc. So after I sang, Jeff (Jadion) approached me with his card and told me he was trying to put together a boyband. Having always despised the notion of being in a boyband myself, I pocketed the card and thought nothing of it. About 3 months later, I was getting antsy to record again (I had wrapped up the year long recording process on my first, extremely shitty demo about 6 months prior) so I scrounged up the card and called.
I came into his studio to have a listen to his work, etc. and was literally astounded. The only producer I'd ever worked with up until that point made recordings that sounded like bad Karaoke tracks, and here was this guy in Tulsa, Oklahoma who's stuff sounded as though it had been flown in from Sweden. Needless to say, I asked him if he would work with me, and he said yes. We've been collaborating ever since.
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As far as the process goes, it really is much quicker than some would think. Generally Jeff will create a track (with his keyboard and computer, all electronic) and I will go hide away for an hour and write the song to it. Sometimes I will write the song first and build the track around it, other times it is a blend of the two. We are both very involved in the song's creation. Within the past year, however, I have grown very possessive over my lyrics though. I have this terrible habit of acting like a spoiled little child, hell-bent on getting his way if Jeff tries to make a suggestion. lol Quite sad actually, but sometimes, just sometimes, I'll relent :P
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He's an absolute genius as far as the actual producing, mixing or engineering is concerned. The sound quality is a testament to that, because we literally had no budget at all on this album, recorded it with cheap-ass equipment in an LA apartment, and it all sounds damn near professionally mastered. We both really push the song to what it becomes in the end.
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4. I'm quite into fashion as well as music - and when I saw David Beckham all over the British press recently rocking a shirt and tie with sweater, I thought hey! He's stolen Simon Curtis' look!! Do you follow fashion or are you more comfortable throwing on whatever is comfortable in your wardrobe?
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That is so funny that you would ask that, because I really am quite a fashion anomaly. I have a great respect for fashion and style, and can't wait to have money to spend on it, lol, but in the same respect, I am perfectly content to roll out of the house in full-blown hobo-style; pyjamas, sweats, etc. I am so night and day in regards to my personal style. I love the way clothes can become an alternative means of self-expression, and I think that's where fashion's appeal lies for so many people. Right now I am wearing the most heinous looking, baggy pyjama shorts, and a massively oversized white oxford shirt that I slept in, and I truly wouldn't think twice about going out looking like this. I get made fun of for it, but I don't care, I am comfortable, and that's all that counts.
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5. How did the show go in Vegas in June? Are there any more planned - what can people expect from the Simon Curtis live experience?
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The show went fantastic, I hope to have it posted on youtube here at some point soon. As of right now, there aren't any in the works unfortunately, but hopefully that will all change with the release of the album. As far as my stage show goes, it really is a work in progress. Of course my dream is to have the big arena show complete with a herd of dancers, massive sets, and eye-popping pyro, but that isn't quite on the cards just yet :P
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6. I really think your sound would go down incredibly well in the British charts? Have you ever been here and would you like to visit if not?
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Oy, would I love to visit. I have been trying my damndest to get some representation over there, but as I am currently living in LA, it has proven to be rather difficult. I would very much love to promote my music overseas. The UK and Japan are on the top of my list.
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7. How tough is it to break into the music business in LA? Have you ever been tempted to go the American Idol route?
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Absolutely mind-numbingly, unbelievably difficult! Here in LA the club scene is all about rock, so unless you're some trashy wannabe band you can't perform in the venues. As far as record labels go, they're only into what was selling last week, as opposed to what should and will be selling NEXT week (which is why they're all damn near bankrupt) So right now that pretty much means that if you're not hip-hop or rock you're screwed. People in the music industry really have no foresight, and/or taste, which is why the internet is playing such a crucial role in the advent of this new era of music and music industry; consumers themselves are now becoming the tastemakers, and while horrifying to the floundering suits at EMI, it is rather invigorating to artists like myself, who know they have something that could be big, but just couldn't get a chance before from the labels. Now we can make our own chances.
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I actually did audition for the second season of American Idol. I had just turned 16 and they told me that I had a great voice, but looked too young to be on the show. I am so glad I didn't make it!
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8. You got to tour with the A*Teens (another act that should have concentrated on the uk!) - what are your best memories of that? Do you still keep in touch with any of them (I think Maria should release Oxygen as a Christmas single)
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That is so funny, I actually never toured with the A*Teens! I am just a rabid A*Teens fan and have one of my many pics with them on my myspace page. I keep in touch with Marie on myspace though, she is very supportive of my music, and I always joke about how I should be her opening act. Their music was just such a big part of my childhood, I will never deny that I love them! haha
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9. What do you tend to do in your down time? Any fave books/tv shows/music?
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Oh gosh I am such a nerd when it comes to my hobbies. I don't go out like most people my age, I really don't have any desire for the clubs, drinking, etc. I instead prefer a good round of Halo to a round of shots! haha
Oy vey, I am destroying any cool factor I could've possibly had before, but I don't give a shit, it's the truth. I love reading, and fantasy is my favourite genre. The dungeons and dragons nerd-type section of the bookstore is my favourite. I read the Hobbit in third grade, and it hasn't stopped since.
I love good tv and film. I am an actor as well, so I have learned a lot about those industries while living here in LA. As far as music goes, you can probably tell that I love pop music. Anything from Sweden is at the top of my list, but I really do enjoy most all kinds of music.
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10. Thank you for answering all these questions. Last one! Where do you see yourself at this point in 2007?
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Hopefully using the momentum built from this digital release to sign a distribution deal with one of the majors (can we say, Lily Allen?) lol
I hope to be at a point where music is my profession. Acting is going well, so I have the best hopes as far as film and tv are concerned, but my music is my passion, and I'd love to see the career I've always dreamed of and worked for come into fruition. Just have to keep my fingers crossed and work my ass off I guess :)

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A couple of weeks later, Simon secured a management deal and is currently label shopping his album for a distribution deal. I got back in touch to ask about that, the troubles he was having with Put Your Make Up On and some other stuff I had pop into my head…come back tomorrow for part two of the interview, finally figuring out how the jigsaw of simon, jadion, fayden and bliss all fit together, as well as some readers views on the music…

LINK: Simon's myspace site

4 Comments:

  1. Paul said...
    oy vey (in the words of simon!) additional news - i got a radical new haircut tonight with a fringe/bangs for the first time in ages. it looks kinda like the first pic in this post, only i look a lot older ;)
    PinkieDust said...
    This man makes me feel fink dirty thoughts!!
    Poster Girl said...
    Excellent interview! I love how he references Sweden...he knows his pop :) But when do we get to see a picture of the new haircut?
    Paul said...
    Pinkie - behave :) It's me against the music. Or something...

    PPG - yeah, i love how candid he was in the interview. I'm debating the haircut photo!

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